Fiction writers from the Naples Writers' Workshop read successful stories and ask "Why Is This Good?"
We discuss how fiction works, the craft of writing, literary art, and what we can learn from examples of excellent writing.
Join us twice each month for our workshop podcast.
Why Is This Good? is hosted by Kristine Gill, J. C. Bronsted, and Rob Curtin.
022: “Black-Eyed Women” by Viet Thanh Nguyen
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In this episode, we discuss “Black-Eyed Women” by Viet Thanh Nguyen. What can we learn from a story that features a ghost? What function can a ghost serve in a narrative? How can a strong central metaphor inform the shape and details of a story? How do our cultural conventions inform the metaphors of our stories, and can close examination help us discover more?
For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop
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December 15th, 2019 by Naples Writers' Workshop
021: “Goodbye and Good Luck” by Grace Paley
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In this episode, we discuss “Goodbye and Good Luck” by Grace Paley. How can a strong character voice drive a story even without a complex plot? Can a character sketch or portrait of an attitude be a complete and fulfilling story? How can we inform the first person narration by considering the occasion of the telling? Why is such a simple, happy story so good?
For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop
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December 1st, 2019 by Naples Writers' Workshop
020: “Gender Studies” by Curtis Sittenfeld
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In this episode, we discuss “Gender Studies” by Curtis Sittenfeld. How can a stereotype become a nuanced and unexpectedly deep character? How can a character who doesn’t understand their own desires affect or drive a story? Why do we write in the present tense?
We also mention (and spoil) “Cat Person” by Kristen Roupenian.
For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop
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November 15th, 2019 by Naples Writers' Workshop
019: “Lady Tigers” by Nick White
If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast
In this episode, we read “Lady Tigers” by Nick White. We discuss what we can learn about the all-too-familiar writer’s advice to “show, don’t tell” and how this story helps us understand that advice. When should we show and not tell? Also, how can we structure the deployment of background information that is necessary for the reader? How can that structure lend the story emotional resonances? How can we make a story be about itself and explore character?
Apologies for the quality of JC’s audio in this episode.
For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop
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November 1st, 2019 by Naples Writers' Workshop
018: “The Babysitter” by Robert Coover
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In this episode, we discuss “The Babysitter” by Robert Coover. What lessons can we take from such a unique piece that takes so many chances and nevertheless succeeds wildly?
For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop
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October 15th, 2019 by Naples Writers' Workshop
017: “Closer” by Greg Egan
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In this episode, we discuss “Closer” by Greg Egan. What can we learn about writing fiction in general from a “Hard” Science Fiction story? How can philosophical questions influence our fiction?
Find Egan’s paper about superpermutations here: “Superpermutations” by Greg Egan.
For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop
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October 1st, 2019 by Naples Writers' Workshop
016: “Girls, At Play” by Celeste Ng
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In this episode, we discuss “Girls, At Play” by Celeste Ng. What lessons can we draw from a story with such a startling premise? Is there more to learn about perspective and point of view? How do our intentions for a story affect how the story ought to unfold and what readers are meant to care about? How can paying attention to how we feel as we read influence the way we write our own stories?
For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop
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September 15th, 2019 by Naples Writers' Workshop
015: “Only Tourists Remember the Alamo” by Alicia D. Ortega
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In this episode, we discuss “Only Tourists Remember the Alamo” by Alicia D. Ortega. How can a specific, real-life setting influence a story? How does a non-linear structure that allows you to quickly slip in and out of scenes give you more freedom in your story?
For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop
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September 1st, 2019 by Naples Writers' Workshop
014: “Victory Lap” by George Saunders
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In this episode, we discuss “Victory Lap” by George Saunders. What can we learn about writing character and stream of consciousness and point of view from a master of characterization and perspective.
For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop
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August 15th, 2019 by Naples Writers' Workshop
013: “How to Become a Writer” by Lorrie Moore
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In this episode, we discuss “How to Become a Writer” by Lorrie Moore. What lessons can we learn about fiction, about being a writer, and the craft of point of view from Moore’s “second-person mock imperative” parody of a self-improvement manual for fiction writers?
For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop
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August 1st, 2019 by Naples Writers' Workshop